Write the lyrics, describe a style, and get a sung song at the length you set. Two different takes of the same song for one credit, and from there you can extend it, split it into instrument tracks, or turn it into a music video.
Most music generators return a song at a length they chose, and then you have to cut it in the edit and hope the cut is not audible. Here you set how long the song runs up front, from 15 seconds for an ad to six minutes for a full song, and the engine composes a complete piece at that length, with an opening and an ending. That is what makes it the right score for a film whose length is already known.
Write the lyrics in Hebrew, split into verse and chorus, and describe a style: pop, rock, a children's song, a ballad, a jingle. You get two different takes of the same brief and pick one. The song also comes with the lyrics timestamped word by word, at no extra cost, which is what accurate karaoke captions are built from. Transcribing a sung track invents words, so it is not done.
A song made here can go straight into a music video: the system reads the song, finds the chorus by the lines that repeat, and builds a shot plan that covers the whole song with no gaps. Here too, every stage is shown with its price before anything is charged.
A personal song for a birthday, a wedding, a bar mitzvah or a colleague's farewell is the most common use. Write a verse and a chorus with the name, two details only people who know them will get and one inside joke, and describe a style: upbeat pop, a moving ballad, a children's song or Mizrahi. You get two takes and pick one. If the name can be read more than one way, add partial vowel marks so the engine sings it right.
A good jingle repeats the business name two or three times in a short line that is easy to remember. Set a length of 15 or 30 seconds, exactly the length of the ad, write one chorus with the business name and what it gives, and pick a style that suits the audience. You can also ask for an instrumental of the same song for video backgrounds, so the business sounds the same everywhere.
Short lines of roughly the same length sound better than long uneven ones. Mark where each part starts in square brackets, [verse] and [chorus], and repeat the chorus with exactly the same words. Words with clear stress sound natural, and rare or foreign words are best written the way they sound. And if you have no lyrics at all, describe in a sentence what the song is about, and the engine writes both the words and the music.
You do not need finished lyrics. Say what the song is about, who it is for and the style, and get a verse and a chorus. Before the song is made, the words get vowel marks on names and on words engines tend to garble, so the singer hears how to say them instead of guessing.
Ordinary background music is laid under a video and hoped to fit. Here you can compose against the finished film, so the swells land on the cuts. It costs 2 credits per started minute of film. And if only one part of a song you have is not working, you can change just that part and keep the rest as it was.
Yes. Say what the song is about and get lyrics, then the sung song from them. Hebrew lyrics get vowel marks before singing so the words come out right.
Yes. Put the name in the lyrics, in the verse and the chorus, and get a song sung in Hebrew for one credit, with two takes to choose from.
No. You can describe in one sentence what the song is about, and the engine writes the lyrics and the music. If you want control over every word, write the lyrics yourself.
Usually a minute or two, and both takes arrive together.
Yes. Write the lyrics in Hebrew and hear them sung.
One credit, at any length, and you get two takes. On the basic pack that is 20 cents.
Yes. What is made in your account belongs to you, for personal, business or commercial use.
Yes. Ask for an instrumental, or split an existing song into tracks and keep only the instruments.
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